DAN CHRISTENSEN "BLUE SPLASH", 1999 Robert Mapplethorpe Photography For most of the year

For most of the year Tod has successfully experimented with watercolor

Beginning in the late 60's Rivers embraced printmaking enhancing it with stencilling

In this exemplary painting

Museum of Modern Art

DAN CHRISTENSEN "BLUE SPLASH", 1999 Robert Mapplethorpe Photography For most of the yearDan Christensen (1942 2007) is widely recognized as one of Americas foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction. Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the