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He may have turned to kitchen subjects on his admission to the Academy in 1728 to distinguish himself from artists such as Desportes and Oudrey who specialised in game and hunting pieces
and the pinnacle on the right-hand corner of the roof-line
Burne-Jones probably used William Morris's Earthly Paradise as the source of this subject
Annibale Carracci's Choice of Hercules in the Palazzo Farnese was a source for the composition
Compositional Study of Harvesters in a Landscape Size:large He may have turned to
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