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which the artist referred to as 'modern primitive'
Sandys joined Rossetti's circle in 1857 and lived with him in Cheyne Walk for most of 1866
shows how Bevan's mature technique had developed into an angular style in which colour fused into broad masses of a subdued and subtle tone
Sir John Cropley (now Leeds City Art Gallery)
The Chateau of Amboise Human Figure which the artist referred to
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